Home / Regular Issue / JSSH Vol. 29 (3) Sep. 2021 / JSSH-8121-2021

 

“Please Stay, Don’t Leave!”: A Systematic Literature Review of Safeguarding Intangible Cultural Heritage in the Fourth Industrial Revolution

Wan Juliana Emeih Wahed, Noorhayati Saad, Saiful Bahari Mohd Yusoff and Patricia Pawa Pitil

Pertanika Journal of Social Science and Humanities, Volume 29, Issue 3, September 2021

DOI: https://doi.org/10.47836/pjssh.29.3.14

Keywords: Fourth industrial revolution, intangible cultural heritage, safeguard, systematic literature

Published on: 27 September 2021

Intangible cultural heritage (ICH) has been recognised as an indicator of the tangible heritage’s cultural diversity, which contains inherent characteristics of the community’s knowledge, practices, expressions and skills. Thus, various actions of support and collaboration to safeguard the global cultural diversity were conducted, preventing the deterioration and destruction of intangible heritage, which paved the way for the Fourth Industrial Revolution (IR 4.0). This study aimed to examine the safeguarding of ICH relating to a range of heritage objects, including textiles, design motifs, and crafts. Nine papers on ICH published between 2014 and 2020 were collected from several reputable databases. These articles were taken from Scopus (3 articles), Google Scholar (5 articles) and Dimensions (1 article) databases in various subject areas of social sciences using the Preferred Reporting Items Systematic reviews and Meta-Analysis (PRISMA) method. Currently, the most sophisticated means of safeguarding ICH comprised eliminating knowledge barriers, incorporating diverse cultures and technology, collaborations between organisations, eco-friendly materials and versatility in promotional strategies. The findings will contribute to the Malaysian Sustainable Development Goals (SDG 4) by providing high-quality education on intangible knowledge to industry players, tourists, and local communities. Moreover, the integration of art, knowledge, and technology have enabled deeper perception among the varied audience, providing a fundamental understanding of intangible knowledge. Lastly, this idea will enhance the sustainability of traditional human values, hoping that cultural heritage will survive and remain long-term.

  • Adendorff, C., Lutshaba, U., & Shelver, A. (2018). Policy implications of the 4th industrial revolution for the cultural and creative economy. Nelson Mandela University.

  • Aikawa, N. (2005). The international convention for the safeguarding of the intangible cultural heritage: Addressing threats to intangible cultural heritage. In L. Wong (Ed.), International Conference Globalization and Intangible Cultural Heritage (pp. 80-83). United Nations Educational, Scientific and Cultural Organization. http://archive.unu.edu/hq/library/Collection/PDF_files/UNESCO/UNU-UNESCO_2004.pdf

  • Alivizatou-Barakou, M., Kitsikidis, A., Tsalakanidou, F., Dimitropoulos, K., Giannis, C., Nikolopoulos, S., Al Kork, S., Denby, B., Buchman, L., Adda-Decker, M., Pillot-Loiseau, C., Tillmane, J., Dupont, S., Picart, B., Pozzi, F., Ott, M., Erdal, Y., Charisis, V., Hadjidimitriou, S., … Grammalidis, N. (2017). Intangible cultural heritage and new technologies: challenges and opportunities for cultural preservation and development. In M. Ioannides, N. Magnenat-Thalmann & G. Papagiannakis (Eds.), Mixed reality and gamification for cultural heritage (pp. 129-158). Springer. https://doi.org/10.1007/978-3-319-49607-8_5

  • Arai, S. (2005). Japan and the preservation of intangible cultural heritage. In L. Wong (Ed.), International Conference Globalization and Intangible Cultural Heritage (pp. 26-29). United Nations Educational, Scientific and Cultural Organization. http://archive.unu.edu/hq/library/Collection/PDF_files/UNESCO/UNU-UNESCO_2004.pdf

  • Bajardi, A., Della Porta, S. G., Álvarez-Rodríguez, D., & Francucci, C. (2015). Id@ rt experience: A transnational blendedlearning project founded on visual culture. International Journal of Emerging Technologies in Learning, 10(2), 17-23. https://doi.org/10.3991/ijet.v10i2.4283

  • Bandelli, A. (2018). 4 ways art is sculpting the Fourth Industrial Revolution. https://www.weforum.org/agenda/2018/03/here-s-how-art-activates-the-fourth-industrial-revolution/

  • Bourdieu, P., & Darbel, A., & Schapper, S. (1991). The love of art: European art museums and their public. Polity Press.

  • Brown, W. M., Cronk, L., Grochow, K., Jacobson, A., Liu, C. K., Popović, Z., & Trivers, R. (2005). Dance reveals symmetry especially in young men. Nature, 438(7071), 1148-1150. https://doi.org/10.1038/nature04344

  • Choe, J. H. (2005). Problems of globalization and the transmission of intangible cultural heritage in Korea. In L. Wong (Ed.), International Conference Globalization and Intangible Cultural Heritage (pp. 104-107). United Nations Educational, Scientific and Cultural Organization. http://archive.unu.edu/hq/library/Collection/PDF_files/UNESCO/UNU-UNESCO_2004.pdf

  • Dobrian, C., & Bevilacqua, F. (2003). Gestural control of music: Using the vicon 8 motion capture system. Proceedings of the 2003 conference on New interfaces for musical expression. https://music.arts.uci.edu/dobrian/motioncapture/NIME03DobrianBevilacqua.pdf

  • D’Orville, H., (2005). Intangible cultural heritage: A global public good of a special kind. In L. Wong (Ed.), International Conference Globalization and Intangible Cultural Heritage (pp. 142-151). United Nations Educational, Scientific and Cultural Organization. http://archive.unu.edu/hq/library/Collection/PDF_files/UNESCO/UNU-UNESCO_2004.pdf

  • Economou, M. (2015). Chapter 15: Heritage in the digital age. In W. Logan, M . N. Crait, & U. Kockel (Eds.), A companion to heritage studies (pp. 215-228). https://doi.org/10.1002/9781118486634.ch15

  • Ellsworth, P. C., & Scherer, K. R. (2003). Appraisal processes in emotion. In R. J. Davidson, K. R. Scherer, & H. H. Goldsmith (Eds.), Series in affective science. Handbook of affective sciences (pp. 572-595). Oxford University Press.

  • Engwall, O. (2004). From real-time MRI to 3D tongue movements. INTERSPEECH 2004 : ICSLP 8th International Conference on Spoken Language Processing, 1, 109-1112. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-51810

  • Fayn, K., MacCann, C., Tiliopoulos, N., & Silvia, P. J. (2015). Aesthetic emotions and aesthetic people: Openness predicts sensitivity to novelty in the experiences of interest and pleasure. Frontiers in Psychology, 6, 1877. https://doi.org/10.3389/fpsyg.2015.01877

  • Grüner, S., Specker, E., & Leder, H. (2019). Effects of context and genuineness in the experience of art. Empirical Studies of the Arts, 37(2), 138-152. https://doi.org/10.1177/0276237418822896

  • Hidayat, J., & Fatmahwaty, F. (2014). The art and sustainable aspects of natural dyeing in KANAWIDA hand drawn batik (green batik). IPTEK Journal of Proceedings Series, 1(1), 136-143. https://iptek.its.ac.id/index.php/jps/article/view/207

  • Ho, S. (2020). Culture and learning: Confucian heritage learners, social-oriented achievement, and innovative pedagogies. In C. Sanger & N. W. Gleason (Eds.), Diversity and inclusion in global higher education (pp. 117-159). Springer. https://doi.org/10.1007/978-981-15-1628-3_5

  • Huffman, K. (1996). The fieldworkers of the Vanuatu cultural centre and their contribution to the audiovisual collections. In J. Bonnemaison (Ed.), Arts of Vanuatu (pp. 290-293). Crawford House Publishing.

  • Kong, F. (2020). Application of artificial intelligence in modern art teaching. International Journal of Emerging Technologies in Learning, 15(13), 238-251. https://doi.org/10.3991/ijet.v15i13.15351

  • Laleye, I. P. (2005). Safeguarding intangible cultural heritage in an era of globalization. In L. Wong (Ed.), International Conference Globalization and Intangible Cultural Heritage (pp. 108-111). United Nations Educational, Scientific and Cultural Organization. http://archive.unu.edu/hq/library/Collection/PDF_files/UNESCO/UNU-UNESCO_2004.pdf

  • Mathew, L. T. (2018). Cultural value addition of silk-linen sarees through the adaptation of African Adinkra textile design motifs. http://assumptioncollege.in/fusion/uploads/2018/05/Minor-Project-Report.pdf

  • Mawuli, C. A. (2019). Transmission and embodiment of heritage: An analysis of Adinkra symbology on traditional clothing in Ghana [Master’s thesis, Central European University]. http://www.etd.ceu.edu/2019/mawuli_cynthia.pdf

  • Moher, D., Liberati, A., Tetzlaff, J., Altman, D. G., & Group, P. (2009). Preferred reporting items for systematic reviews and meta-analyses: The PRISMA statement. PLOS Medicine, 6(7), Article e1000097. https://doi.org/10.1371/journal.pmed.1000097

  • Myszkowski, N., Çelik, P., & Storme, M. (2018). A meta-analysis of the relationship between intelligence and visual “taste” measures. Psychology of Aesthetics, Creativity, and the Arts, 12(1), 24-33. https://doi.org/10.1037/aca0000099

  • Sardjono, A., Prastyo, B. A., & Larasati, D. G. (2015). Development of collective trademark for batik industry in kampung Batik Laweyan (Laweyan Batik’s Village), Solo. Indonesia Law Review, 5(1), 33-50. https://doi.org/10.15742/ilrev.v5n1.136

  • Schulze, E. (2019, January 22). Everything you need to know about the Fourth Industrial Revolution. CNBC. com. https://www.cnbc.com/2019/01/16/fourth-industrial-revolution-explained-davos-2019.html

  • Sedera, D., Lokuge, S., Grover, V., Sarker, S., & Sarker, S. (2016). Innovating with enterprise systems and digital platforms: A contingent resource-based theory view. Information & Management, 53(3), 366-379. https://doi.org/10.1016/j.im.2016.01.001

  • Shen, Y., Wu, X., Lü, C., & Cheng, H. (2011). National dances protection based on motion capture technology [C]. Proceedings of 2011 international conference on computer science and information technology (ICCSIT), (Vol. 51, pp. 78-81). IACSIT Press.

  • Siamwalla, J. J. (2019). Textile craft producer Jordan River Foundation’s collaborative design development with IKEA [Master’s thesis, University of Borås]. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22071

  • Sierra-Correa, P. C., & Kintz, J. R. C. (2015). Ecosystem-based adaptation for improving coastal planning for sea-level rise: A systematic review for mangrove coasts. Marine Policy, 51, 385-393. https://doi.org/10.1016/j.marpol.2014.09.013

  • Silvia, P. J. (2005). What is interesting? Exploring the appraisal structure of interest. Emotion, 5(1), 89-102. https://doi.org/10.1037/1528-3542.5.1.89

  • Smeets, R. (2005). Globalization and the convention for the safeguarding of the intangible cultural heritage. In L. Wong (Ed.), International Conference Globalization and Intangible Cultural Heritage (pp. 42-47). United Nations Educational, Scientific and Cultural Organization. http://archive.unu.edu/hq/library/Collection/PDF_files/UNESCO/UNU-UNESCO_2004.pdf

  • Stone, M. (1990). A three‐dimensional model of tongue movement based on ultrasound and X‐ray microbeam data. The Journal of the Acoustical Society of America, 87(5), 2207-2217. https://doi.org/10.1121/1.399188

  • Sugiarti, R., Margana, M., Muthmainah, M., & Fauzia, L. R. (2019). Leather craft industry and tourism: A symbiotic relationship? (A case study of Magetan East Java Indonesia). Harmonia: Journal of Arts Research and Education, 19(2), 141-151. https://doi.org/10.15294/harmonia.v19i2.21124

  • Thomson, K., Purcell, K., & Rainie, L. (2013). Arts organizations and digital technologies. https://www.pewresearch.org/internet/2013/01/04/arts-organizations-and-digital-technologies/

  • Tresnadi, C., & Sachari, A. (2015). Identification of values of ornaments in Indonesian batik in visual content of Nitiki game. Journal of Arts and Humanities, 4(8), 25-39. https://doi.org/10.18533/journal.v4i8.797

  • Troup, G. J. F., Griffiths, T. L., Schneider-Kolsky, M. E., & Finlayson, T. R. (2006). Ultrasound observation of vowel tongue shapes in trained singers. In M. Avdeev (Ed.), 30th Annual Condensed Matter and Materials Meeting (pp. 1-4). Australian Institute of Physics.

  • United Nations Development Programme. (2004). Human Development Report 2004: Cultural Liberty in Today’s Diverse World. http://hdr.undp.org/en/content/human-development-report-2004

  • Untari, R., Gajjala, R., & Sanjaya, R. (2020). The making of “asli” Sumba woven cloth: How globalising “intangible heritage” impacts women’s roles. Development in Practice, 30(8), 1094-1104. https://doi.org/10.1080/09614524.2020.1759509

  • Yang, T., Silveira, S., Paolini, M., Pöppel, E., Sander, T., & Bao, Y. (2019). Aesthetic experiences across cultures: Neural correlates when viewing traditional Eastern or Western landscape paintings. Frontiers in Psychology, 10, 798. https://doi.org/10.3389/fpsyg.2019.00798

  • Yang, Y., Shafi, M., Song, X., & Yang, R. (2018). Preservation of cultural heritage embodied in traditional crafts in the developing countries. A case study of Pakistani handicraft industry. Sustainability, 10(5), 1336. https://doi.org/10.3390/su10051336

  • Ye, Y.-T. (2016). Design and implementation of digital art teaching system based on interactive virtual technology. International Journal of Emerging Technologies in Learning (iJET), 11(11), 49-54. https://doi.org/10.3991/ijet.v11i11.6254

ISSN 0128-7702

e-ISSN 2231-8534

Article ID

JSSH-8121-2021

Download Full Article PDF

Share this article

Related Articles